by Charles Mudede Netflix
The new Black Mirror (season four), which was released on Netflix a few days ago (December 29), and has the second movement of its final episode, "Black Museum," as its highest conceptual achievement (the second is the whole of the first episode "USS Callister") is aggressively (even obsessively) Cartesian. This is so disappointing. One would not expect a show that is about the near (technologically advanced) future to be so reliant on the simple notions of consciousnes
The new Black Mirror (season four), which was released on Netflix a few days ago (December 29), and has the second movement of its final episode, "Black Museum," as its highest conceptual achievement (the second is the whole of the first episode "USS Callister") is aggressively (even obsessively) Cartesian. This is so disappointing. One would not expect a show that is about the near (technologically advanced) future to be so reliant on the simple notions of consciousnes
