Unconventional filmmaking in service of a conventional story.by Ben ColemanThe problem with high-concept movies is that it can be difficult to lose yourself in them. Both filmmakers and audiences have generally agreed on a visual shorthand in film—a common language of cuts, camera angles and exposition that, when applied correctly, can become invisible, letting the movie take over. It’s like how your brain filters out the sound of the ocean after your third day at the beach. The down
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